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Tuesday, February 12, 2019

Invisible Man Essay: Puppet or Puppeteer? :: Invisible Man Essays

Invisible creation Puppet or Puppeteer? One could argue that we atomic number 18 whole notwithstanding puppets, or wenchs, doomed to dance by invisible strings - neer realizing who pulls the strings. Ralph Ellisons novel, The Invisible Man is fraught with images of wenchs as if to constantly reminded the reader that no one is in complete control of their life. The first example of doll imagery comes very early in the novel with the Battle empurpled scene. The nude, blonde muliebrity is described as having hair that was yellow same that of a circus kewpie doll (19). Ellison draws a very strong connective between the plight of the Negro man and the white woman. The fact that they are both sh give birth as puppets or dolls in the work is no coincidence. The woman and the African are merely show pieces for the white men in the novel. Tod Cliftons terpsichore Sambo dolls are the most striking example of doll imagery. This small tissue paper doll has the capability to comp letely transmit the Invisible Man. When he sees that the powerful and enigmatic Clifton is the one hawking the execrable dolls, the teller is so filled with humiliation and rage that he spits upon the dancing figure. But what is it that has caused this surging of fury? It is Tod Clifton and not the narrator who has fast himself to such a base level. However, it is our narrators sudden comprehension of his own placement that causes his wrath. The line For a second our eyes met and he gave me a disrespectful smile (433) illustrates this moment of realization for our narrator. It shows the reader that Tod Clifton was aware of his emplacement as a puppet all along and chooses to enlighten the narrator at this particular point in the novel. The Invisible Man recognizes that all his life hes been a slave and a puppet to others. Whether those others were Bledsoe, his grandfather, or the marriage is irrelevant, but there has always been and imperceptible string attached to him go verning everything he does. Not only a string but his own physical characteristics echo those of the grotesque Sambo dolls. Its cardboard hands were clenched into fists. The fingers describe in orange paint, and I noticed that it had two faces, one on either side of the disks of cardboard, and both grinning.

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